Last week, I heard an interview on NPR’s Talk of the Nation talking about a new graphic adaptation of the 9/11 Commission Report. At first, I thought that this was an odd idea. Why would anyone want the 9/11 Report as a graphic novel? Are you ready for the words BLAMM! to be shown next to an image of a burning Pentagon? As I listened to the authors explain their motivation, I was convinced that this might be a unique way of communicating the 585 page 9/11 Commission Final Report.

It didn’t hurt that these authors were excellent comic writers and artists in their own right. Sid Jacobson created Richie Rich and was the editor-in-chief at Harvey Comics. Ernie Colón worked at Harvey, Marvel and DC Comics and oversaw “production of the Green Lantern, Wonder Woman, … and The Flash.” Both sounded very serious about why they were doing this and what this project meant to them.

I also began to see this as a piece of art that, while completely based on fact and striving to be true to the Final Report, offered a new way to view the tragic events of that day. Even before the authors brought it up, I remembered the power of reading Maus for the first time. I wrote then that a graphic novel about the Holocaust seemed “wrong” at first blush, but after reading it, I really appreciated having and reading Maus.

This graphic adaption also rises to the occasion. There are fold out timelines of all four planes. There are actually two timelines, one focusing on the events on board the aircraft and the other focusing on when each agency knew about the various events. While you can read much of this in the Executive Summary, this representation makes it easy to understand how the events fit together.

It’s these thousand word pictures that allow a reader to choose whether they want to skim the text or to dive into the details and the touches in the panels. The artwork is beautiful and rich in detail. The writing is clear, simple, and expertly crafted to capture the essential points of each section of the Final Report. Ultimately, it is a serious testament to both the quality and potential of this medium as well as the convictions and vision of the authors. I’m sure they got some incredulous looks when they proposed this project, but the final product says they made the right choice.