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This is one of my favorite songs from one of my favorite movies from when I was a kid. This song is from the movie Sholay, arguably the biggest Bollywood hit in history. My parents had the song on tapes and I think maybe even an LP. It’s one of those songs that just is permanently part of my life’s soundtrack. And, it’s such a good song too. Some more background about the movie from Wikipedia:

Sholay is the highest grossing film of all time in India. It has earned Rs. 2,36,45,00,000, equivalent to US$ 60 million, after adjusting for inflation. When first released, the film was declared a commercial disaster. Word of mouth convinced movie-goers to give the film a chance and soon it became a box-office phenomenon. It ran for 286 weeks straight (more than five years) in one Mumbai theatre, the Minerva. Sholay racked up a still record 60 golden jubilees across India and doubled its original gross over reruns during the late 1970s, 1980s, 1990s and early 2000s. Sholay was the first film in the history of Indian cinema to celebrate silver jubilee (25 weeks) at over a hundred theatres across India.

In 1999, BBC India declared it the “Film of the Millennium”; Indiatimes movies ranks the movie amongst the Top 25 Must See Bollywood Films. In that same year, the judges of the 50th annual Filmfare awards awarded it with a special award called Filmfare Best Film of 50 Years.

Bollywood films, especially from that era, always feel campy to me, but I think I might have to give this another viewing soon.

Bonus video from the 1965 film Gumnaam. This song, Jaan Pehechan Ho, also appeared in the movie Ghost World (which, if I’m remembering correctly, is the first movie my wife and I watched together):

We always wonder if her neck hurt after shooting finished…

(PS. I’m actually reasonably impressed that I can translate much of both songs without looking up words… considering my parents don’t speak Hindi in the house (we’re Gujarati), I think that’s an accomplishment)

1:22 am | 1 comment
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While this is good, for now, the next move down the road is to build a standardized DRM library that everyone uses and is universally supported. Think CSS or the HD version that “protects” DVDs and HD-DVD/BluRays. These schemes work well enough that the HD version hasn’t been cracked while lots of players are out there and working.

This is going to happen barring some change in the larger music industry. But, for now, they need to get us out of the iTunes habit. We’ll see how this plays out.

12:16 am | leave a comment

Speaking of end of year giving (give via Kiva.org!), another organization I give to every year is the Electronic Frontier Foundation (EFF). I mention this because the entertainment setup I describe below is one that the movie industry would like to outlaw directly and have, with current laws and lobbying, managed to indirectly make very difficult. The EFF fights these laws that are both anti-free-market and anti-consumer (a more common combination than you might think).

In fact, the setup I describe below is really only possible with a little bit of labor and using DVDs as opposed to HD-DVDs or BluRay sources. The movie industry tries to “protect” their movies and music with a technology broadly called DRM, which makes it impossible to view the movies you buy in the ways you want to. New DRM technology is why I’ve sworn off buying HD media. To make this clearer, let’s walk through my new setup.

Here’s what my goal is with the new setup. I want to be able to use my computer as a digital video jukebox with my TV. Basically, I’d like to end up with my movies on my computer so that I don’t need to keep the DVDs in the same room as the TV. This way, I can also copy the movies to my laptop when I travel (again, no discs to break or carry), or put them on my iPhone just in case I’m stuck somewhere.

The first part of getting this working is to get the movies onto my computer. Because of the DRM the studios use, this is more difficult than it ought to be. I’ve written up how I do this on the Mac in an older post, so if you need help, check that out. Please note that I’ve since changed my process a bit, though it involves some commercial software. Specifically, I’ve switched to using a great piece of software called VisualHub. It has presets for every device, including Apple TV, iPhone, PSPs, etc. So, everything from Step 6 onward has been replaced with the simple, “fire up VisualHub, select your device and quality and hit GO.” I typically use the Apple TV settings, with H.264 checked and High quality. I let iTunes cut an iPhone specific version as well when I need one.

Now that I have a version on my computer, I need to get it on the TV. Since I own an Xbox 360, this turned out to be pretty easy. The XBox can connect to a Windows PC and stream videos, photos, and music to the XBox and out to the TV and receiver you have it connected to. It’s not just for playing video games, after all. I assume that the PS3 allows similar functionality, but I don’t own one to try it out.

Now, I don’t own a Windows PC, since I’m a Mac/Unix person and only have Macs in the house. That would be a problem except for a nice little program called Connect 360 made by the fine folks at nullriver. They have a free demo so I downloaded it and fired it up. Within seconds, I was able to fire up the XBox, navigate over to the Media tab in the Dashboard, select Movies and I was thumbing through the films on my laptop on the big screen. These movies are at DVD quality, which is roughly 480p for the HD enthusiasts here. Sure, it’s not as pretty as an HD source, but the XBox does a good job upconverting to 1080p.

I wanted to see if the software and network could keep up with a 1080p video without trouble so I borrowed a 1080p rip of Transformers from a friend because I don’t know how to convert an HD-DVD yet. I’ve streamed that using the above setup with great results. The video is gorgeous and I could still surf the Internet off the same computer. Not a bad setup.

Of course, if the movie industry had their way, I wouldn’t be able to do what I did. Technically, the DRM on the DVDs should prevent me from doing what I did. Because, however, it has been broken by numerous hackers over the years, it merely represents an inconvenience in this process. You could argue that I could easily just buy my movies off of a service like iTunes or Amazon Unbox but that still presents the DRM dilemma.

For example, in my setup, I have devices from 3 different manufacturers and several different movie studios. Microsoft makes the XBox 360 and Apple makes my Mac and OS X and Sony makes my PSP (which I’ve stopped using for video in favor of the iPhone). If I chose iTunes, I would need to buy an Apple TV in order to watch the video on my big TV. In fact, the movies I’ve bought from iTunes don’t work in the setup I’ve described because the XBox doesn’t understand Apple’s DRM. Amazon doesn’t support Macs or my iPhone (yet), so that’s a non-starter as well. The only way to do this is with a DRM-free copy of the movies.

Which brings me to the title of this post. There are two ways to get DRM free copies of your favorite movies. The first is to do what I’ve done, buy DVDs and go through the trouble of stripping the DRM off and encoding them for your computer. It’s a lot of work (takes about 4 hours per DVD on a MacBook Pro).

The other option is to download these movies via a peer-to-peer (P2P) network or BitTorrent or whatever. This is technically both against the law (for the person making the video available) and opens one up to civil lawsuits from the movie studios.

Think about that for a second: To use the devices I own in a way that they all enable, the convenient choice is to download the movies for free. All I want to do is use the hardware I already own with movies I’ve paid for and my choices are to circumvent the DRM on the DVDs or to download them from the Internet.

It’s ridiculous, and really shows the idiocy of the current copyright fight between the studios and their customers. There’s a future here for a nice little video jukebox device with a couple of USB ports for devices like the iPhone or iPod that serves as a nice hub for all your media. My Mac is almost perfect, in fact, but imagine a little $200 device. Believe it or not, they exist already, and the only reason they’re not more popular is because of stupid DRM battles from the studios that do nothing to stop piracy anyway.

Anyway, I’m considering moving my old iMac downstairs so that it’s attached via the wired network to the XBox 360. Leave all the videos on an attached terabyte external drive and I’ll have my video collection available whenever I want.

Also, consider this an thumbs up for Connect 360. The software has made all the videos and music available on my XBox and offers some nice other features that I’ve yet to take advantage of. The software retails for $20 and is worth it if you plan on making use of a setup like this. Enjoy!

Update: PS. HD Podcasts that I download via iTunes look GREAT. No DRM on those, and they look great on the TV. I can recommend the Political Lunch as one to start with. It’s a good rundown of the day’s political news. Good stuff.

1:37 am | 1 comment

Hi, my name is Sujal. I have been a long time customer, and a long time fan of your products. I collect movies, and really believe in the value of film to our collective culture. That being said, I’m just writing to say that I no longer will purchase HD DVDs or BluRay discs and will only buy those movies I really want on regular DVDs. The reason is simple: I want to be able to use the purchase I made on as many different platforms as I can. As an owner of several computers and multiple portable video devices (PSP, iPhone), I want to be able to pay a reasonable fee once and use that movie on all of these platforms.

With DVDs, I can do this. With HD media, I can’t. So, I’ll save myself about $10 and get the DVD copy. That’s $10 you don’t get, and $10 you won’t get because, trust me, I’m not spending more than once for a movie I already own.

On top of that, because your anti-copy technologies (AACS on HD-DVDs and BluRay and CSS on DVDs) actually don’t do anything meaningful to stop piracy but only interfere with your customers’ legal and fair use of these products, I will continue to restrict my DVD purchases to those movies at the top of my collectable list.

Please consider getting your heads out of your collective asses and recognizing that you’re costing yourselves money by alienating people like me who have always been (and would otherwise continue to be) your best customers.

Thanks,

Sujal

PS. At least this makes my wife happy.

3:34 pm | 2 comments

Something tells me most customers don’t know that Apple individually watermarks files that are sold “DRM Free” and thus don’t take it into consideration. Even if they did know, would they care? I agree it’s important, but until someone gets sued for spyware stealing their music…

9:00 pm | leave a comment

I’ve been bitten by this with Casino Royale on my iMac at home, of all things. I HATE DRM with a passion, as it doesn’t stop the truly determined pirates and gets in the way of all of the legitimate things I do want to do. I don’t understand, for example, why the movie studios should be able to stop me from taking a movie I’ve paid for and converting it to run on my PSP. I’m not selling this and I sure as hell am not paying for a PSP copy. So why penalize me?

3:38 am | leave a comment

This is why I give EFF money every year.

(via this site)

12:19 pm | leave a comment

Technology Liberation Front has a good article up about how eMusic might represent “The Future of Music.” I found this article via Kareem’s blog, and normally it would just be a headline link here, as it was on reemer.com.

It’s not a headline post because, coincidently, Atrios has been plugging eMusic for a few days and I went ahead and gave it a try because of the 50 free MP3 trial offer. So far, I’ve found some cool Indian-influenced music that I wouldn’t have found otherwise. On the whole, though, I’ve found the whole thing quite daunting. It’s a very big catalog of less-than-well-known music and, because of that, it’s very, very hard to navigate it all. I use the same approach as I do with iTunes, relying on top sales lists, but previewing clips is too complicated on the Mac.

That’s probably the biggest problem I have. The site offers .m3u files (MP3 playlists) for previews. It’s all nicely standards based, but the default behavior on the Mac is to play the .m3u file in iTunes. That means that I have a clutter of random streaming MP3 clips stuck in iTunes that I don’t really want. I tried switching to just using Quicktime for .m3u files, but then it downloads the file to my disk, where I have to double-click it (or the icon in he download center) to play the file. In the end, I stayed with this system, previewing entire albums so I would only have to do it once per album.

I’m open to any suggestions people have with using eMusic on the Mac.

The article is a good read, by the way. You should check it out.

8:41 pm | 1 comment

eWeek has a good rundown of the IP issues surrounding the new GPL license. I haven’t read much, but what I have read has made me cautious about the new GPL. As someone that dreams of starting a software company or web service some day, this stuff is pretty important to me.

11:50 pm | leave a comment

is visualized in this neat bit of investigation. In case you’ve missed the hubub, here is the the original reporting on a DRM package distributed by Sony that installs software that behaves like a rootkit.

11:53 pm | leave a comment

Cory Doctorow, a bigwig at the EFF (among many other things), has a good series of commentary on the effect of Digital Rights Management (DRM) on your use of consumer electronics and entertainment content (movies, music, etc.). For those of you that aren’t as familiar with this technology, DRM is touted by the content industry (movie studios, record companies, etc… heck, they’re the same companies) as a tool to fight piracy. The idea is that it makes it tough to copy media onto your computer, for example, which will keep things from ending up on the internet. This sounds good, but it’s it’s completely false. DRM is mostly about controlling competition and boxing consumers into behaviors that the studios are comfortable with (because they already know them) by giving the studios control of technology innovation. If a technology comes along that you or I will love but might make the studios cut down on their profit margins, they can simply make it impossible to legally play the content on that particular device.

For example, studios didn’t like that Europeans could buy American movies on VHS before the movies came out in Europe. Or that Americans could buy foreign VHS movies for less than the cost of buying them in the U.S. So, they created DRM on the new DVD standards that prevents “authorized” DVD players from playing DVDs from another region. Mind you, I can still make a bit for bit copy of the files on the DVD and play them in another authorized DVD player… the DRM doesn’t stop that. It just makes it harder for consumers to get content they want.

My recent experience buying Indian mythology comics proves illustrative. Those comics sell for 4-5 dollars a piece here in the U.S. I was able to buy 13 plus a special edition 3 volume hardbound edition of the Mahabharata for something like US$50 including shipping. If I wanted to bulk order 15 Indian DVDs for my parents, I probably couldn’t play them on my parent’s DVD player. Why is that OK?

If you want a more insidious example, Doctorow wrote earlier about how cable companies are going to delete Six Feet Under recordings after 2-4 weeks if you use a cable company provided DVR (a Tivo is a DVR, click the link at left for more information). Don’t go on vacation if you like Time Warner shows, I guess…

12:35 pm | leave a comment