This cartoon pretty much sums up why his campaign won’t raise much. (via Atrios)

Anyone else have a program like this at their library? This is from an email sent by the town:

Library Celebrates Free Comic Day - May 5

Saturday, May 5, is National Free Comic Book Day. Many comic stores around the
country are celebrating by giving out free comic books to everyone who comes to
their stores. Thanks to the generosity of Eye Opener Comics in Newington, the Faxon
branch of the West Hartford Public Library will have a limited supply of free comic
books to hand out to patrons on Saturday. Comic books will be available to all
children and teens that visit the library on a first-come basis and will be limited
to one to a person.

After getting your free comic book, be sure to check out the rest of the library’s
collection — including all of our graphic novels and manga titles. For more
information, please call the Teen Services office at 561-6996.

That’s pretty cool. Many graphic novels are truly works of literature in their own right and deserve a place in the library.

I’ve been reading too much non-fiction lately, so in an effort to add some fiction to my list, I picked up a couple of new books this week. One twist, all of them are graphic novels. First up is the first volume of Y: The Last Man, a series by Brian K. Vaughan. Vaughan worked for a while for DC and Marvel, but most recently he joined the writing staff for Lost. Yes, another Shah/Hojnicki obsession, but I promise you, a healthy one. Honestly, I didn’t know this when I picked up the book. I was intrigued by another Vaughan title, Pride of Baghdad, which follows four lions who escaped from the Baghdad Zoo during the 2003 U.S. invasion of Iraq. It’s based on a real episode, but the idea of using the lions to explore the concept of liberation sounded pretty interesting. More on that book later.

Y is set in a world where an unknown pathogen or agent wipes out all the male mammals in the world. All the males except for two, actually: our protagonist and his pet monkey. Somehow, he becomes the last human Y chromosome in the world.

The first volume runs through the opening of the story. We meet what look to be the major characters in the series, all women except for Yorick, the last man on earth. The men all die at once, suddenly leaving chaos and turmoil behind. Imagine what it might be like if suddenly every man in the world disappeared. Imagine the knowledge lost, even at a practical level. So many professions are still dominated by men. How many women know how to run the garbage collection system? Heck, my office would be down to maybe 10% or less of the staff remaining, especially among the technical staff. In the U.S., women account for about 45% of the workforce, which isn’t that bad. I suspect you might get a different breakdown by industry.

Vaughan’s imagination creates an interesting world. The Secretary of Agriculture becomes President (Nancy Pelosi would be the first female president if this happened today), gangs of women band together as Amazons, and the Washington Monument becomes an impromptu shrine to the dead men of the country. Don’t know what it is about dystopian futures, but between this and Transmetropolitan, clearly something is getting my attention. This one seems to be a bit more optimistic than Transmet (well, except for the whole all-the-men-are-dead thing). Both series are also published by Vertigo.

So far, I’m curious about what happens next. Best thing a first volume can do, I guess, so I’ll be picking up the next few.

Last week, I heard an interview on NPR’s Talk of the Nation talking about a new graphic adaptation of the 9/11 Commission Report. At first, I thought that this was an odd idea. Why would anyone want the 9/11 Report as a graphic novel? Are you ready for the words BLAMM! to be shown next to an image of a burning Pentagon? As I listened to the authors explain their motivation, I was convinced that this might be a unique way of communicating the 585 page 9/11 Commission Final Report.

It didn’t hurt that these authors were excellent comic writers and artists in their own right. Sid Jacobson created Richie Rich and was the editor-in-chief at Harvey Comics. Ernie Colón worked at Harvey, Marvel and DC Comics and oversaw “production of the Green Lantern, Wonder Woman, … and The Flash.” Both sounded very serious about why they were doing this and what this project meant to them.

I also began to see this as a piece of art that, while completely based on fact and striving to be true to the Final Report, offered a new way to view the tragic events of that day. Even before the authors brought it up, I remembered the power of reading Maus for the first time. I wrote then that a graphic novel about the Holocaust seemed “wrong” at first blush, but after reading it, I really appreciated having and reading Maus.

This graphic adaption also rises to the occasion. There are fold out timelines of all four planes. There are actually two timelines, one focusing on the events on board the aircraft and the other focusing on when each agency knew about the various events. While you can read much of this in the Executive Summary, this representation makes it easy to understand how the events fit together.

It’s these thousand word pictures that allow a reader to choose whether they want to skim the text or to dive into the details and the touches in the panels. The artwork is beautiful and rich in detail. The writing is clear, simple, and expertly crafted to capture the essential points of each section of the Final Report. Ultimately, it is a serious testament to both the quality and potential of this medium as well as the convictions and vision of the authors. I’m sure they got some incredulous looks when they proposed this project, but the final product says they made the right choice.

While I can’t compete with Dan’s meeting with RZA, I love that Watchmen made Time’s top 100 Novels.

The Watchmen is from comic creators Alan Moore (Writer of From Hell, The League of Extraordinary Gentlemen, and Batman: The Killing Joke in his time) and Dave Gibbons. Time described The Watchmen as:

Watchmen is a graphic novel—a book-length comic book with ambitions above its station—starring a ragbag of bizarre, damaged, retired superheroes: the paunchy, melancholic Nite Owl; the raving doomsayer Rorschach; the blue, glowing, near-omnipotent, no-longer-human Doctor Manhattan. Though their heyday is past, these former crime-fighters are drawn back into action by the murder of a former teammate, The Comedian, which turns out to be the leading edge of a much wider, more disturbing conspiracy. Told with ruthless psychological realism, in fugal, overlapping plotlines and gorgeous, cinematic panels rich with repeating motifs, Watchmen is a heart-pounding, heartbreaking read and a watershed in the evolution of a young medium.

In my opinion (This is Josh again), Watchmen is one of the greatest graphic novels of our generation. As an investigation into the psyche of fictional superheroes and the populace around them, this book transcends comic books with its extensive essays at the end of each chapter. I didn’t enjoy it the first time I read it, but taking another stab at it, Watchmen showed me how great comics can truly be.

Go read it!