I’ve been reading too much non-fiction lately, so in an effort to add some fiction to my list, I picked up a couple of new books this week. One twist, all of them are graphic novels. First up is the first volume of Y: The Last Man, a series by Brian K. Vaughan. Vaughan worked for a while for DC and Marvel, but most recently he joined the writing staff for Lost. Yes, another Shah/Hojnicki obsession, but I promise you, a healthy one. Honestly, I didn’t know this when I picked up the book. I was intrigued by another Vaughan title, Pride of Baghdad, which follows four lions who escaped from the Baghdad Zoo during the 2003 U.S. invasion of Iraq. It’s based on a real episode, but the idea of using the lions to explore the concept of liberation sounded pretty interesting. More on that book later.

Y is set in a world where an unknown pathogen or agent wipes out all the male mammals in the world. All the males except for two, actually: our protagonist and his pet monkey. Somehow, he becomes the last human Y chromosome in the world.

The first volume runs through the opening of the story. We meet what look to be the major characters in the series, all women except for Yorick, the last man on earth. The men all die at once, suddenly leaving chaos and turmoil behind. Imagine what it might be like if suddenly every man in the world disappeared. Imagine the knowledge lost, even at a practical level. So many professions are still dominated by men. How many women know how to run the garbage collection system? Heck, my office would be down to maybe 10% or less of the staff remaining, especially among the technical staff. In the U.S., women account for about 45% of the workforce, which isn’t that bad. I suspect you might get a different breakdown by industry.

Vaughan’s imagination creates an interesting world. The Secretary of Agriculture becomes President (Nancy Pelosi would be the first female president if this happened today), gangs of women band together as Amazons, and the Washington Monument becomes an impromptu shrine to the dead men of the country. Don’t know what it is about dystopian futures, but between this and Transmetropolitan, clearly something is getting my attention. This one seems to be a bit more optimistic than Transmet (well, except for the whole all-the-men-are-dead thing). Both series are also published by Vertigo.

So far, I’m curious about what happens next. Best thing a first volume can do, I guess, so I’ll be picking up the next few.